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Of interest to Irma fans, by the way, is a recent reissue from the Alive/Naturalsound Records label. Irma thomas in between tears cover art.jpgThomasвЂ™ 1973 album вЂњIn Between TearsвЂќ was recently re-released on vinyl.Alive Naturalsound Records ItвЂ™s a prime opportunity for a date night, and tickets are limited, so grab your sweetie, make some dinner reservations in the Quarter, and ink it on your calendar. Mint Performance Hall, the Louisiana State MuseumвЂ™s acoustically state-of-the-art new venue, is a comparatively rare chance to see the Grammy winner perform beloved New Orleans classics like вЂњRuler of My HeartвЂќ and вЂњItвЂ™s RainingвЂќ in an intimate, seated space. The elegant R&B veteran Irma Thomas mostly performs, these days, at large outdoor festival events. Irma Thomas to play intimate concert at Old U.S. TIMES PICAYUNNE (New Orleans daily) вЂ“ Positive album mention with cover art But you have to admire WilliamsвЂ™ rosy outlook all these years one, a bit like those ad-execs that turn up proud with their Worst Ad of the Year awards, or actors celebrating earning a Razzie.Д«oth this and Total Destruction are well worth having. So much of the Rat On! material вЂ“ take God Bless America For What вЂ“ is so at odds with that absurd cover. These records, released in 19 respectively, continue to work well as a one-two. The debut Swamp Dogg record, Total Destruction To Your Mind, has also been reissued.

The killer on this album is the cover of The Bee GeesвЂ™ Got To Get A Message To You and there are several Curtis Mayfield/Baby Huey-esque political funk tracks. Picked up on by hip-hop heads the album has some sweet grooves (Remember I Said Tomorrow) and the funky cuts suit the high happy croon of Swamp Dogg. And itвЂ™s something Williams is proud of, as he puts it in the liner notes this is a big part of the reason that the record keeps getting discovered. OFF THE RACK (online music site) вЂ“ Positive album mention with cover artДЇor his second album under the Swamp Dogg persona Jerry Williams Jr, songwriter/producer/soul singer, won praise via backhanded compliments the record regularly turning up on worst album cover of all time lists. And although not every Swamp Dogg out-of-the-box lyric qualifies as wisdom (Williams wouldnвЂ™t inveigh against вЂњkilling babies in the wombвЂќ until 1981), his вЂњtotal destruction toвЂќ the box itself just might. Part big-voiced belter, part Fred Sanford, he exemplifies what вЂњdiversityвЂќ meant (or at least sounded like) before it became a humorless, oxymoronic talisman of the left. Part of what has made Williams an underground legend is his capacity for explosively soulful unpredictability. Swamp Dogg-actually discovered it first when he wrapped his voice around вЂњIвЂ™ve Gotta Get a Message to YouвЂќ on his 1971 album, Rat On!, which along with two other early-Swamp Dogg longplayers, Total Destruction to Your Mind (1970), and Gag a Maggot (1973), has just been reissued by Alive Records. WORLD MAGAZINE (Christian bi-weekly news magazine) вЂ“ Positive CD review in Notable CDsД«ecause of his 1972 rendition of вЂњHow Can You Mend a Broken Heart,вЂќ Al Green usually gets credited with discovering the soul potential of Bee Gees ballads. I mean, check it out: HeвЂ™s snarling, shouting and smirking over a hot, hard-driving boogie. On his first solo album, Total Destruction to Your Mind - which Alive Naturalsound Records just released in a remastered version - he covered Joe SouthвЂ™s racist-bating song вЂњRedneck,вЂќ and ratcheted up both the tempo and the piss and vinegar. I just read Hidden In the Mix: The African-American Presence in Country Music - which is an important book, by the way - and it reminded me about Jerry Williams Jr., aka Swamp Dogg (see contributor Edd HurtвЂ™s recent interview with Swamp Dogg here). NASHVILLE SCENE (Nashville weekly) вЂ“ Best Local Rock Songs Ever, Part 17 вЂњJesus Christ had all these people around him that supposedly had his back and one or two of them got together for a few pieces of silver and had his ass nailed to a cross,вЂќ said Swamp when we asked him about the cover. (See, among many others, his 1989 album I Called for a Rope and They Threw Me a Rock.) Sometimes that pose tipped over into a persecution complex, as on the insane album cover for 2007вЂ™s Resurrection. Likely the most obscure entry on our list, this prolific soul-music oddball (and recent SPIN feature subject) has made a long career out of playing the underdog. SPIN MAGAZINE вЂ“ Bigger Than Jesus: 25 Rock Deities, Rap Messiahs, and Would-Be Golden Gods #22 Swamp Dogg

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